Engros- Olja Måleriet Nej Minimum

 
 




Philippe de Champaigne The Nativity oil painting reproduction


Philippe de Champaigne
Den Nativitet
The Nativity
Måleriet Identifieringen ::  384
1643 Museum om böter Konst Lille
1643 Musee des Beaux Arts, Lille

 

 
   
      



Robert Campin The Nativity oil painting reproduction


Robert Campin
Den Nativitet
The Nativity
Måleriet Identifieringen ::  18906
1425. Fundera des Beaux - Konst på Dijon
1425, Mus??e des Beaux-Arts at Dijon

 

 
   
      



Barocci, Federico The Nativity oil painting reproduction


Barocci, Federico
Den Nativitet
The Nativity
Måleriet Identifieringen ::  9787
1597. olja på segelduk. Fundera del Prado. Madrid
1597, oil on canvas, Museo del Prado, Madrid.

 

 
   
      



Arthur Devis The Nativity oil painting reproduction


Arthur Devis
Den Nativitet
The Nativity
Måleriet Identifieringen ::  19100
1857-58 Olja och guld löv segelduk Birmingham Museum och Konst Galleri.
1857-58 Oil and gold leaf canvas Birmingham Museums and Art Gallery.

 

 
   
      



Nardo, Mariotto diNM The Nativity oil painting reproduction


Nardo, Mariotto diNM
Den Nativitet
The Nativity
Måleriet Identifieringen ::  19607
ca 1385 Temperamenten på trä panel Vatican Avbilda Galleri.
Approx. 1385 Tempera on wood panel Vatican Picture Gallery.

 

 
   
      



Federico Barocci The Nativity oil painting reproduction


Federico Barocci
Den Nativitet
The Nativity
Måleriet Identifieringen ::  31307
nn07 1597 Olja på segelduk. 134 x 105 cm Fundera del Prado. Madrid
nn07 1597 Oil on canvas, 134 x 105 cm Museo del Prado, Madrid

 

 
   
      



Federico Barocci The Nativity oil painting reproduction


Federico Barocci
Den Nativitet
The Nativity
Måleriet Identifieringen ::  28126
mk61 1597 Olja på segelduk 134x105cm
mk61 1597 Oil on canvas 134x105cm

 

 
   
      



ALBERTINELLI Mariotto The Nativity oil painting reproduction


ALBERTINELLI Mariotto
Den Nativitet
The Nativity
Måleriet Identifieringen ::  29026
mk65 Olja på panel 9 1/16x19 11/16in Uffizi.Gallery
mk65 Oil on panel 9 1/16x19 11/16in Uffizi,Gallery

 

 
   
      



Fra Filippo Lippi The Nativity oil painting reproduction


Fra Filippo Lippi
Den Nativitet
The Nativity
Måleriet Identifieringen ::  32075
mk78 Washington D.C. Nationell Galleri av Konst.
mk78 Washington, National Gallery of Art.

 

 
   
      



Fra Filippo Lippi The Nativity oil painting reproduction


Fra Filippo Lippi
Den Nativitet
The Nativity
Måleriet Identifieringen ::  32076
mk78 Washington D.C. Nationell Galleri av Konst.
mk78 Washington, National Gallery of Art.

 

 
   
      



Konrad of Soest The Nativity oil painting reproduction


Konrad of Soest
Den Nativitet
The Nativity
Måleriet Identifieringen ::  33357
mk86 1403 Blandad median på trä 73x56cm Dålig Wildungen. St Nikolaus
mk86 1403 Mixed media on wood 73x56cm Bad Wildungen, St Nikolaus

 

 
   
      



Albrecht Durer The Nativity oil painting reproduction


Albrecht Durer
Den Nativitet
The Nativity
Måleriet Identifieringen ::  33512
mk86 c.1502-1504 Temperamenten på trä Staatsgemalde 155x126cm Munich.Bayerische Staatsgemalde-sammlungen.Alte Pinakothek
mk86 c.1502-1504 Tempera on wood 155x126cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

 

 
   
      



BURGKMAIR, Hans The Nativity oil painting reproduction


BURGKMAIR, Hans
Den Nativitet
The Nativity
Måleriet Identifieringen ::  33515
mk86 1520 Olja på trä Staatsgemalde Pinakothek
mk86 1520 Oil on wood 105.5x70.4cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

 

 
   
      



Piero della Francesca The Nativity oil painting reproduction


Piero della Francesca
The Nativity
Måleriet Identifieringen ::  42861
mk170 1475-1480 Oil on poplar 124.4x122.6cm

 

 
   
      



Lodovico Mazzolino The Nativity oil painting reproduction


Lodovico Mazzolino
The Nativity
Måleriet Identifieringen ::  43022
mk170 circa 1510 Oil on wood 39.4x34.3cm

 

 
   
      



Juan de Flandes The Nativity oil painting reproduction


Juan de Flandes
The Nativity
Måleriet Identifieringen ::  43890
c. 1508-19 Oil on panel,

 

 
   
      



Philippe de Champaigne The Nativity oil painting reproduction


Philippe de Champaigne
The Nativity
Måleriet Identifieringen ::  51726
nn09 1643 OIl on canvas 207x116cm

 

 
   
      



CHRISTUS, Petrus The Nativity oil painting reproduction


CHRISTUS, Petrus
The Nativity
Måleriet Identifieringen ::  63975
1445 Wood, 130 x 97 cm National Gallery of Art, Washington The painter, a follower of Jan van Eyck, here illustrates the Biblical theme in terms of contemporary life in his native city of Bruges. Joseph, for example, is shown as a Flemish peasant who, realizing he is on holy ground, has removed his wooden clogs. Under the influence of Rogier van der Weyden, Christus has framed the scene with a sculptured archway, typical of late Gothic churches in Flanders. These simulated sculpture groups, depicting the stories in Genesis of man and his sin, illustrate the historical reason for the subject of the painting, the coming of Christ as the Redeemer. , Artist: CHRISTUS, Petrus , The Nativity , 1451-1500 , Flemish , painting , religious

 

 
   
      



MARTORELL, Bernat (Bernardo) The Nativity oil painting reproduction


MARTORELL, Bernat (Bernardo)
The Nativity
Måleriet Identifieringen ::  64693
1440s Panel Collection Lippmann, Berlin Borrass?was succeeded as central figure of the Barcelona school by Bernat Martorell, a painter in whom scrupulous attention to detail is combined with touches of poetry. In spite of the limitations of his empirical and conventional perspective, he was able to convey an impression of depth and space, and to give life to every element of his composition. Artist:MARTORELL, Bernat Title: The Nativity (detail), 1401-1450, Spanish , painting , religious

 

 
   
      



unknow artist The Nativity oil painting reproduction


unknow artist
The Nativity
Måleriet Identifieringen ::  65253
1400 Tempera on walnut, 41 x 29,5 cm Galerie mittelalterlicher ?sterreichischer Kunst, Vienna The artist of this painting is referred to as Master of Salzburg. In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath. In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon. In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her body as if it were wet; the decorativeness in the way in which the painter has used the opportunities inherent in the rustic surroundings, and brought into harmony the pattern of the thatched roof, the mat and the fence, which are made of similar materials, and there is an additional harmonious touch in the plaited hair of one of the midwives. As in a great many other pictures of the period the ground is exceedingly steep here; compared to the figures in the foreground the stable seems to be high, on the other hand the beam underneath the roof touches the animals' heads. Although the white piece of cloth between the two midwives-in all probability a napkin, another symbol of the human nature of Jesus-looks as though it were hovering, in fact it lies on the ground. All this is not surprising, since these forms do not convey space, they are meant, first and foremost, to fill up the surface of the picture. Artist: UNKNOWN MASTER, Austrian , The Nativity , 1351-1400 , Austrian , painting , religious

 

 
   
      



Girolamo Romanino The Nativity oil painting reproduction


Girolamo Romanino
The Nativity
Måleriet Identifieringen ::  89707
oil on panel Dimensions Height: 265 cm (104.3 in). Width: 117.2 cm (46.1 in). cjr

 

 
   
      



Giorgio Vasari The Nativity oil painting reproduction


Giorgio Vasari
The Nativity
Måleriet Identifieringen ::  92672
Date c. 1546(1546) Medium oil on canvas ttd

 

 
   
      

Giorgio Vasari
1511-74
The Nativity
Date c. 1546(1546) Medium oil on canvas ttd

Related Paintings to Giorgio Vasari :.
| Girl with Basket of Oranges | Rooftop Prayer | Elyssees | the virgin appears to the monks of soriano | Sixtus IV,his Nephews and his Librarian Palatina |


        
 
   
 

KOMMA I KONTAKT MED Oss
Xiamen Porslinet Engros- Olja Måleriet Sjukbåren Bomma till Engros- Stomme Mögel Spegel Stomme Spännet Måleriet